Landscapes of Encounter
The Portrayal of Catholicism in the Novels of Brian Moore

by Liam Gearon

ISBN 1552380483

$49.95 hc
September 2002

348 pages


About the Book


The novels of Brian Moore (1921-1999) are characterized by an enormously varied portrayal of pre- and post-Vatican II Catholicism. Brian Moore is one of the few novelists whose literary portrayal of Catholicism effectively spans the period prior to and following the Second Vatican Council. In his writings, he reflects his ambivalence to the religion of his Ulster upbringing, especially in his portrayal of Catholicism's historical encounter with the cultural, ideological, and religious other. This intertextuality, Dr. Gearon argues, is most clearly demonstrated in terms of an historical theology. Significantly, Moore's treatment of the themes of post-Vatican II theology converges with a literary preoccupation with issues of colonialism and post-colonialism.

Landscapes of Encounter provides the only full treatment of Moore's work as a literary convergence of the theological and the ideological, and specifically as a convergence of post-Vatican II and post-colonial perspectives.

 

About the Author



Dr. Liam Gearon is reader in the faculty of education at the University of Surrey Roehampton, where he was previously senior lecturer. A member of the American Academy of Religion, Dr. Gearon has published widely in the fields of religion and literature, including the critically acclaimed edited work, English Literature, Theology and the Curriculum.

 

Contents


• Acknowledgments vii
• Preface ix

Part I
Introduction
1 Landscapes of Encounter:
The Portrayal of Catholicism in the Novels of Brian Moore 3

Part II
The Fictional Portrayal of Pre-Vatican II Catholicism
2 The Early Irish Novels 23
3 The Early North American Novels 55

Part III
Fictional Portrayals of Vatican II Catholicism and Beyond
4 Catholicism Reappraised: Ireland Revisited 93
5 North America Revisited:
Post-Vatican 11 and Postcolonial Perspectives 133
6 Moore’s Portrayal of the Church in the Modern World:
Theological Universality and Cultural Particularity 159

Part IV
Conclusion
7 Moore’s Portrayal of Catholicism: A Conclusion 203

• Endnotes 207
• Bibliography 265
• Index 285

 

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