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Death Drive through Gaia Paris By Charles Noble |
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About the Book In his latest work, Charles Noble further reins in the
already tight haiku only to let loose, a “logopoeic” poetry. Poems of “splendid rigour” or riddles of wit
that are solved by “lifetime” insights ñ a dialectical poetry that still observes a phenomenological toehold
but transcends the limits of locality in recognizing the curled-up-but-everywhere world of media and markets
— à la Frederic Jameson. And yet, these “haikus” go straight ñ to “the shock of the naÔve”. They turn to a
middle ground, in Aristotleís sense of difficult target. They point to human acts, human reactions, and enact,
themselves, a meta-linguistic wrestling, at one with the quarreling couple in the bar hanging on each otherís
words and insistent with “what do you mean by [a simple word]?” But they are also implicated in what he calls
the death drive (not death wish), which arcs freely over a human life span ñ think architecture ñ and which, more
radically, in the “pleated/ crossword”, “make[s]/ good// a/ bit/ of/ bad/ infinity” (p. 57), no expenses, except for
that toehold, earth, as he would have it.
About the Author
Orders For information on how to order this book, please click here. |
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